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Quentin Dupieux; Countries: France; rating: 2802 Votes; Tomatometer: 7,4 / 10 stars; A man's obsession with his designer deerskin jacket causes him to blow his life savings and turn to crime; director: Quentin Dupieux. 
This film describes a fetishistic relationship between George (interpreted by Jean Dujardin) and his suede jacket, bought 7000 euros after surreptitiously emptied the bank account he shares with his wife. The relationship he creates with this personified jacket will switch following two almost-concomitant events: the jacket will communicate to George its (his? wish and Georges will meet Denise (interpreted by Adèle Haenel Although this film is devoid of rationality, some will see a profound message such as metaphor, allegory, symbolism. Whatever, one thing is certain: Jean Dujardin and Adèle Haenel play excellently and the atmosphere created by Quentin Dupieux is deliberately both unhealthy and funny. Finally, even if the beginning of the film is confusing or disturbing (the whole film somehow, but you'll gradually get used to it) once the atmosphere is in place, you'll await the denouement with impatience.
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During his pre-screening speech at the Directors Fortnight opening ceremony in Cannes, director Quentin Dupieux (wearing a jacket that could very well have been made of deerskin) spoke of his joy making Deerskin and how it felt more like his feature debut than his seventh. It does seem like a first film thanks to its playfulness and willingness to risk (elements that are part of Dupieuxs filmmaking) yet it looks very much like a seventh film due to the directors skill as he manipulates the camera and the audience on this short modern parable. The film is set in the remote mountains of France. But before we get there, we have a prelude to what is to come, with a trio of teens shoving piles of coats into the back of the car and announcing that this will be the last time they ever wear a jacket. This is followed by Georges (Jean Dujardin) a bearded 40-something man in a beat-up old car. Hes on his way to buy a deerskin jacket at an eye-popping price and en route we see Georges discard his boring old green corduroy jacket. The jacket seems to hold magical powers, for as soon as Georges puts it on, he is in love and in thrall to this fringed monstrosity. Imagine an accountant wearing George Michaels Wham-era fringe suede jacket and you realise that this is a serious case of amour fou. The tonalities of the film, all washed out and a little too bright, plus Georgess car and outfit indicate the 1980s. The mountain hotel Georges seeks out certainly hasnt had a refit for thirty years and its creaking fixtures and drab décor are the perfect setting for Georges and his jacket. It transpires that we might be in the present, but Georges has got stuck somewhere in the past. He talks about fax machines, has no concept of computers and ditches his mobile phone. We know he was married and that he has a rotten temper, but just how angry Georges is becomes increasingly evident as the film progresses. As he starts shooting a film, aided by local barmaid and would-be editor Denise (Adele Haenel) that anger surges to the fore and becomes uncontainable. Dupieux makes you laugh when you shouldnt thanks to the sheer exuberance of Georgess murderous acts. And in a lovely touch, Denise enables the killing spree thanks to money inherited from her fathers butcher shop, her money passing from butcher to butcher. At just 77 minutes, this is a very short feature and the story might seem a little insubstantial, yet Dupieux packs in so many wonderful moments – Georges eyeing himself in every reflective surface, for starters, or the amateur filming from behind the fringe of the jacket, plus a couple of outrageous killings – that it feels heftier than its synopsis suggests. Dupieux is aided in this deft bit of filmmaking by his leading man. Dujardin started his career as a stand-up and he has dusted off those comedy skills while inhabiting this monstrous character. He and Haenel have immense fun and provide plenty of laughs in this bonkers film that is very much on the fringe.
Filter by Attention: Importing this article into the USA is only possible with import license for deer leathers. Page 1 of 1 Items 1 - 10 of 10 16, 91 Excluding�19% VAT., �plus shipping (Standard) 16, 91 Excluding�19% VAT., �plus shipping (Standard. Download free le daimler. Download Free Le dim sum. A man who becomes obsessed with owning the designer deerskin jacket of his dreams. This obsession will lead him to turn his back on his humdrum life in the suburbs, blow his life savings and even turn him to crime. This film is not currently playing on MUBI but 30 other great films are. See whats now showing However hackneyed or self-consciously quirky this premise may sound, Deerskin sets about disarming the spectator from very early on, so that all the movies idiosyncrasies appear organic. To be sure, Deerskin may not be as narratively intricate and labyrinthine as previous offerings from the electronic musician-cum-DJ-cum-director. But it remains a zany comedy imbued with the same unbridled and hallucinatory spirit of the man who once wrote and directed a comedy about a killer sentient tire, and now helmed and penned another one with a deerskin jacket and its deranged owner as protagonists. Leonardo Goi May 16, 2019 Dupieuxs risk-taking pales in comparison to Georges own DIY effort, suggesting that the better film in this project is the one buried in the diegesis. Blake Williams May 15, 2019.
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YouTube. Download Free le dimanche 25. Synopsis Georges, 44 ans, et son blouson, 100% daim, ont un projet. photos du film [ voir toutes les photos] fiche technique Scénario, Image, Montage: Quentin Dupieux Réalisation: Quentin Dupieux Direction artistique et décoration: Joan Le Boru Son: Guillaume Le Braz, Alexis Place, Gadou Naudin, Cyril Holtz Sfx: Olivier Afonso Costumes: Isabelle Pannetier Direction de production: Arnaud Tournaire Post Production: Abraham Goldblat, Camille Cariou Production déléguée: Thomas et Mathieu Verhaeghe Coproduction: Atelier de production, Arte France Cinéma, Nexus Factory & Umedia, Garidi Films En association avec UFund, Cinemage 13 Producteurs associés Dimitri Stephanides, Gregory Chambet Avec la participation du Centre National du Cinéma et de limage animée Avec le soutien de la Région Nouvelle Aquitaine en partenariat avec le CNC Avec la participation dArte France, Canal+ OCS France Visa: 148 597 Format 1:1, 85 Son 5. 1 presse Monica Donati festivals / récompenses FESTIVAL DE CANNES 2019 Quinzaine des Réalisateurs - Film d'ouverture.
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Theres that saying “clothes make the man. ” Never has that saying fit so perfectly than in the new film “ Deerskin. ” READ MORE: ‘Deerskin: Quentin Dupieuxs Latest With Jean Dujardin & Adèle Haenel Is Hilariously Surreal [Cannes Review] As seen in the trailer for the French film, a middle-aged man becomes the new owner of a jacket that is 100% deerskin, complete with fringe and all. And once he puts on the jacket, its like he is a whole new person. From there, the film really does go off the rails (in the best possible way) as the man befriends a strange woman and the duo set out to collaborate on a film project that involves deadly fan blades, rocks, and mayhem. Its bonkers. But also incredibly fun. The film stars Jean Dujardin (“ The Artist ”) and Adèle Haenel (“ Portrait of a Lady on Fire ”. “Deerskin” is directed by Quentin Dupieux, who is probably best known for his oddball films such as “ Rubber, ” “ Wrong Cops, ” and “ Reality. ” READ MORE: The 100 Most Anticipated Films Of 2020 We saw the film at last years Cannes, and in our review, we said, “Dupieuxs work is a refreshing antidote to the dour realism exported by most French auteurs. Just as the eponymous jacket leads to Georges completing a buckskin ensemble; like that statement piece, ‘Deerskin is apt to be a gateway drug to odder tastes. ” “Deerskin” begins its theatrical run in New York City on March 20 before expanding to Los Angeles a week later. You can watch the trailer for the film below. Heres the synopsis: In this black comedy of middle-aged masculinity gone awry, Academy Award winner Jean Dujardin (The Artist) is a recent divorcee who becomes obsessed with a vintage fringed deerskin jacket that begins to exert an uncanny hold on him. Set in a sleepy French alpine village, he falls into the guise of an independent filmmaker and befriends a trusting bartender and aspiring editor (Adèle Haenel, Portrait of a Lady on Fire) who becomes his collaborator on a movie that will document a surprising new goal he sets himself.
Download Free le diamant. Parasite won Best Picture, the “one-inch barrier of subtitles” has been surmounted, and now anything is possible in the world of international cinema. For instance, did you know that, at the same Cannes where Parasite won the Palme dOr, the opening-night film of the Directors Fortnight sidebar was a French movie about a man driven to murder by a deerskin jacket? Its true, and now Vulture has the debut of the films official trailer as proof. Deerskin comes from Quentin Dupieux, the guy who made 2010s killer-tire film Rubber, and it stars Jean Dujardin as a loser whose love of high-quality Western wear inspires him to make his new jacket the only jacket in the world … by any means necessary. To continue his obsession, he begins filming the jacket with a digital camcorder, enlisting the assistance of a local bartender who becomes his editor (Adèle Haenel, whom you are about one week from obsessing over in Portrait of a Lady on Fire. Its a demented black comedy that also somehow becomes a metaphor for the creative process, which as we all know is the best kind of metaphor. Deerskin plays Lincoln Centers “Rendez-Vous With French Cinema” on March 8 before premiering in the U. S. on March 20. See the Trailer for the Bonkers Killer-Jacket Movie Deerskin.
Download Free Le dam sport. Download Free Le daimler. Download Free Le đại lý. Dujardin gives an inspired performance as a man with an unhealthy fashion obsession in this slim doodle of a movie. The odd twist of Quentin Dupieuxs “ Deerskin ” is its deceptive simplicity. Anyone familiar with the French directors loopy, surrealist comedies — the killer tire saga “Rubber” and Kafkaesque noir “Wrong” among them — knows that his zany, paranoid characters speak in baffling monologues as their worlds melt around them. “Deerskin” follows suit, but reduces the style to a minimalist curiosity, resulting in a 78-minute stunt with one appealing hook: Jean Dujardin, hilarious and unhinged, as a psychopath so infatuated with his new jacket that he decides it should be the only one in the world. Its hard to shake the feeling that Dupieuxs outré premise would have worked better as a short, as the unusual narrative struggles to make the scenario palatable even at the bare minimum for a feature-length treatment. But a hilarious Dujardin performance and the filmmakers inspired fashion conceit yield an enjoyable diversion from a filmmaker with nothing to prove. As Georges, Dujardin emerges into this slim doodle of a movie with no real backstory or motives. A grinning, bearded loner, he obtains the jacket of his dreams in the opening minutes, a fringe-covered leathery cowboy prop that for whatever reason causes him to beam. And he gets a bonus gift for the hefty price tag in the form of a small, outdated digital camera. Holing up in a small-town motel and spending his evenings at the local bar, he deepens his affection for his new wardrobe, even speaking to it from his room at night. It doesnt take long before the jacket starts talking back to him in Georges own voice, cajoling its owner to unite for the joint goal of obliterating all other jackets from existence. Because Dupieux makes zero effort to develop Georges as a character, his rapid descent into lunacy barely registers as more than a stunt. Nevertheless, once “Deerskin” veers into sinister black comedy mode, theres just enough narrative to maintain some measure of intrigue. At the local watering hole, Georges meets wide-eyed bartender Denise (Adele Hanele, embracing deadpan material in the wake of serious dramas like “BPM” and “The Unknown Girl”) whos transfixed by Georges peculiar bravado. Camera in hand, Georges presents himself as a filmmaker, and it just so happens that Denise edits footage in her spare time (she recut “Pulp Fiction” into a linear narrative and, she admits, the results were abysmal. Suddenly, Georges has an accomplice for the strange mission to come. At first, he attempts to get other jacket-wearers to turn over the goods and pledge to his camera, “I swear never to wear a jacket as long as I live. ” Then he stops asking, launching into a murderous rampage with the blade of a fan, and recording every grisly development with a kooky smile. Needless to say, Denise basically accepts the snuff footage at face value. Well, almost: “Sorry, but isnt your movie weird? ” she asks. “You cant see it now, but it rocks, ” Georges replies, as if Dupieux himself were gazing into the camera to address his audience. The device harkens back to the “no reason” speech at the start of “Rubber, ” when one character celebrates the longstanding history of plot holes in contemporary cinema. In this case, the argument rests on the appeal of watching Dujardin, who has been a winning comedic screen presence since the “OSS 117” movies, but singlehandedly injects “Deerskin” with the gonzo energy necessary to hold this curious idea together. Occasional flashes of the bizarre world surrounding him hold some potential, such as one bit involving the casual suicide of a supporting character, but theyre secondary to the dopiness Dujardin brings to virtually every scene. “Dont you see my killer style? ” he asks, with the same ludicrous conviction of the movie itself. Eventually, Dupieux breaks the fourth wall to allow Georges and Denise to interpret the themes behind his bloody project. It boils down to the idea that “we all hide behind a shell, ” as if you couldnt figure it out from the very first scenes. But the closing moments do manage to convey the universality of that idea, and make a devious case for Georges murderous antics belonging to a larger cycle of image-obsessed people driven to madness by material goods. Dupieuxs movies are usually rich with nutty ideas and populated by characters uninterested in explaining them. Hes a prankish director committed to maze-like exposition brimming with unpredictability. But hes so invested in celebrating his playful conceits that he has a tendency to leave them underdeveloped. With “Deerskin, ” hes so keen on delivering the final, endearing punchline that it feels as if the whole movie has been designed just to set it up. The movie implies that most creative endeavors stemming from unchecked hubris are doomed to fail, and even though the joke lands, the story becomes a victim of its own critique. Grade: B- “Deerskin” premiered as the opening night selection at the 2019 Directors Fortnight. It is currently seeking U. S. distribution. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
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